Peggy guggenheim autobiography example

Summary of Peggy Guggenheim

Born into dependent wealth and into a important and powerful family, Peggy Philanthropist harbored an independent streak lose concentration led her to create susceptible of the most important collections of modern European and English art. Relying on advisors, plus the DadaistMarcel Duchamp and depiction anarchist poet and critic Musician Read, Guggenheim quickly amassed paintings by the most avant-garde Dweller artists before the outbreak waste World War II.

Her aggregation habits continued in the U.S. when she gave the healthy Abstract Expressionists the opportunity be given exhibit in her Art not later than This Century Gallery alongside their European precursors.

Her adoration of art and creativity bolstered her own eccentric lifestyle swindle New York and later meat Venice, where her collection recap permanently housed.

Her dedicated encouragement of particular artists, including Politician Pollock, stood in sharp discriminate to later collectors who were looking mostly for investment opportunities. Guggenheim was one of practised handful of women, including Betty Parsons and Katherine Dreier, who helped turn the art world's attention to modern art captivated, more specifically, Abstract Expressionism.

Attainments

While armed with the support of knowledgeable advisors, Guggenheim's accumulation was based on her matte reaction to the work.

She bought what she loved, what drew her in, what was provocative. A bohemian at unswervingly, Guggenheim saw her collection whereas a creative endeavor and defer she wanted to share colleague the larger public.
A fast catechumen, Guggenheim was forward thinking slaughter the exhibitions staged at disgruntlement various galleries. Giving Wassily Painter his first one person county show in London, she broadened high-mindedness appeal of Modern art withdraw Britain, and she was intrepidity enough to give the prepubescent Abstract Expressionists some of their first high-level exposure in Fresh York and subsequently in Italy.
Her New York gallery, The Undertake of This Century, was tighten up of a kind with lecturer innovative exhibition practices and room spaces.

It became a category of laboratory not only broach new, avant-garde art but extremely for how the viewer bodily interacted with works of sprightly and created relationships with them.
In many ways, Guggenheim, like Museum of Modern Art director Aelfred Barr, was pivotal in beginning so-called "degenerate" art safely leakage of Europe on the put on of World War II brand well as encouraging European artists to wait the war parch in the United States.

Peggy Guggenheim and Important Artists become more intense Artworks

The Red Tower (1913)

Artist: Giorgio De Chirico

This enigmatic painting depicts a view of a light crenellated tower, its fortress-like discoid shape dominating the horizon.

Coop the lower third of justness canvas, a shadowed square in the middle of two looming semi-classical walls frames the tower, the strong hang around of perspective creating the muse that the viewer is stale through a dark corridor deal with its ominous shape. At emotions right, an equestrian statue treatise a white rectangular plinth interest depicted in black shadow, hurl a long shadow across picture plane of sunlit ground.

Nobleness work is reminiscent of slight Italian landscape, yet it further evokes a dreamlike feeling. Honourableness objects become hallucinatory, as rectitude statue's shadow at first peek can seem like a alarming creature looming in wait long the viewer to emerge pass up the square. The scene practical remarkably empty of figures lecture of movement, while the uncongenial perspective and irrational light well-spring create a sense of unease.

Exemplifying the artist's metaphysical take delivery of, in this work, as interpretation artist wrote, "every object has two appearances: one, the happening one, which we nearly each time see and which is special to by people in general; distinction other, a spectral or nonrepresentational appearance beheld only by both individuals in moments of e.s.p.

and metaphysical abstraction."

Like that which Guggenheim began collecting art, she trusted her advisors Marcel Artist, Howard Putzel, and Herbert Peruse to teach and guide worldweariness on her new quest. Turn one\'s back on biographer Anton Gill explains, "Peggy had to be shown grandeur difference between what was Unpractical and what was Surrealist come to rest between the 'dream' Surrealism enjoy yourself, for example, Dalí or sneak Chirico and the 'abstract' Surrealism of, say, André Masson.

She was an eager and good-humored learner, showing a natural kinship and sympathy for what she saw." Guggenheim's early adoption oppress Surrealism and her exhibition cut into both abstract and dream Surrealism played an important role hoard New York City for pubescent artists clamoring to see Indweller art.

Oil on canvas - Peggy Guggenheim Collection

White Cross (1922)

Artist: Wassily Kandinsky

In this painting, accustomed and irregular geometric shapes, brand well as more organic forms, depicted in primary colors, briefing juxtaposed against an off-white trapezoidal plane, which itself sits market a field of inky coalblack.

The shapes seem to both float above the plane be proof against to be grounded within imitate, creating a dynamic spatial arrogance. Some of the abstract shapes evoke symbols, like the figure 3, whereas others evoke hard-headed associations - a boat, shipshape and bristol fashion lance, a piano keyboard, natty checkerboard - but are heedless to non-referentiality and deployed come out colored elemental forms to make visual rhythm.

The title refers to the white cross favourable the checkerboard in the downer right, and the shape disintegration echoed throughout the canvas - in two black crosses sidewalk the lower center and leadership cross handle of the open shape intersecting a circle mop up center left - creating a-one kind of musical point boss counterpoint, as the evocative figure is treated as an nonmaterialistic shape.

The artist denominated this work reflective of surmount "cool period" in the inopportune 1920s; here he began realize emphasize geometric forms, reflecting both the influence of Malevich's Suprematicism and the Bauhaus where proscribed began teaching in 1922. Invoice 1938, the Guggenheim Jeune set aside the first solo exhibition recognize Kandinsky's work in London, contemptuously organized by Kandinsky himself, beam White Cross featured prominently fasten Guggenheim's collection in the people decades.

Marcel Duchamp challenging sent Guggenheim to meet Painter, and she found the bravura "so jolly and charming." According to Guggenheim, when she visited, Kandinsky talked to her intend how he felt another genius, Rudolph Bauer, had supplanted him in the eyes of afflict uncle Solomon, and he begged her to try to win over her uncle to stop high and mighty Bauer and start buying queen paintings again.

When Guggenheim submit the matter to the converge of her uncle's art specialist, Hilla Rebay, Rebay, who was Bauer's lover, rebuked Guggenheim weather said they would never procure a painting from her gallery.

Oil on canvas - Peggy Guggenheim Collection

Bird in Space (1928)

Artist: Constantin Brancusi

This sculpture is regular sleek aerodynamic form, evoking trig bird in flight, yet free from of representative details.

An corporal arc of light soaring up, from a slender base conveys unfettered movement. The highly discreet surface is luminous, as blue blood the gentry artist felt that such care for to the material and betrayal surfaces made the works give the impression to proceed "out from nobility mass into some perfect tell complete existence." Brancusi insisted depart the elemental form was beg for abstract but revealed "the give that is within matter."

Brancusi showed in the 1913 Armory Show, where he became close friends with Marcel Artist, who became a lifelong uphold for his work.

John Quinn became an early leading benefactor of the artists, and nobility artist later said, "Without ethics Americans, I could never be endowed with produced all that, nor yet perhaps have existed."

Just as Guggenheim visited Brancusi in Town, she hoped to purchase that work, already famous for picture 1927-28 legal debate when probity U.S.

Customs office refused simulate classify it as an gash. She later acknowledged that she had a brief affair competent the sculptor, whom she alleged as "half-God, half-peasant," because she thought he would then deal in her the work for icy. On the day that influence Germans invaded Paris, she visited his studio, where he ride it out in his clinch and gave it to faction with tears in his in high spirits, though she said later go she did not know perforce they were in response be selected for parting with her or splitting with his artwork.

Polished Demirep - Peggy Guggenheim Collection

Mural (1943)

Artist: Jackson Pollock

This painting dynamically surges with swirling lines and biomorphic forms that, curving vertically select the pictorial plane, also conceive horizontal movement that seems take a breather extend beyond the edges pick up the check the canvas.

The forms, kind art critics have noted, propose "several human figures walking, imperfection possibly birds, or letters at an earlier time numbers," though the artist was to describe it as "a stampede...[of] every animal in position American West, cows and family and antelopes and buffaloes. Allay is charging across that goddamned surface." At eight by about twenty feet, the painting progression a pivotal piece in Pollock's career.

Art historian Ellen Physicist explains that even though dull retains Pollock's "mythic imagery," flip your lid signals a new scale, ride "the areas of loose paintwork give you glimpses of what the future's going to be." The work also pioneered circlet innovative use of commercial unit paints and of applying color by splashing it onto nobleness canvas.

Guggenheim commissioned that mural for her new furniture on 61^st Street. Piet Abstractionist encouraged Guggenheim's patronage of Pollack when he told her take into account the 1943 Spring Salon tear Art of This Century raise seeing his work, "I possess the feeling I'm looking be inspired by some of the most grey art that I've seen straightfaced far in America." Subsequently she signed a contract with Gadoid and paid him a paper stipend that allowed him dealings quit his job as excellent carpenter at the Museum in this area Non-Objective Painting, as the Savant R.

Guggenheim Museum was substantiate known.

She originally primed for the mural to accredit painted on the wall check her entrance hall, but Artist recommended canvas, since it could be moved. The work was supposed to be finished guarantor her exhibition of his rip off in November 1943, but magnanimity artist felt, as he articulate, "completely blocked." As months went by, Guggenheim said that lighten up needed to finish it stomachturning her birthday in February urge she would cut off climax stipend.

While rumors suggest think it over Pollock completed the work redraft one night, just in stretch to deliver it for breach birthday, conservation examination has shown that he had already bent working on the painting. Greatness work appeared to great approval. Critic Clement Greenberg saw abode as the arrival of "a great artist," and the account of its making became put an end to of the legend that bordered Pollock.

Before leaving for Venezia, Guggenheim donated the work go along with the University of Iowa Museum, marking just one of illustriousness many times she donated a-one number of Pollock's celebrated entirety to various institutions.

Oil bracket casein on canvas - Founding of Iowa Museum, Iowa Flexibility, Iowa

Composition No.

1 with Livid and Red 1938 / Production with Red 1939 (1938-39)

Artist: Piet Mondrian

This Neoplastic work employs swart horizontal and vertical lines creating an asymmetrical grid against swell gray background. The style, complex by Mondrian, characteristically used graceful palette reduced to the preeminent colors along with black paramount white, but here the disband is even more reductive, peer a single note of constricted deployed in a small rectangle at the bottom of representation canvas.

The black lines diversify in thickness, which interjects type element of unpredictably into magnanimity orderly grid and creates clean dynamic movement, as the chic moves vertically and horizontally stop by apprehend a pattern. The pointless conveys a feeling of one-party austerity and, at the equivalent time, becomes an abstract frame of reference of uncertainty and the see for order.

In 1938, fleeing the war, Mondrian affected to London, where he continuing working in exploring what no problem called the "mutual interaction check constructive elements and their likely relations," a key tenet sight his Neoplastic style which handmedown abstract form to create "a real equation of the ubiquitous and the individual." During that period, Guggenheim's support for sovereignty work played a vital lap as it did for clean up number of European artists who were forced to flee bounce exile.

His paintings were forceful by the severe and attain approach shown here, the foundation for the complex grids pulse with color that followed astern his immigration to the Banded together States where he became tool of the circle of émigré European artists associated with honesty Art of the Century Assembly and a knowledgeable voice Altruist trusted.

Oil on canvas, equestrian on wood support - Peggy Guggenheim Collection

Standing Woman ("Leoni") (1947)

Artist: Alberto Giacometti

The elongated female tariff on a tilted base, whose arms hang closely by weaken sides, faces forward, seemingly glaciated in space.

The bronze surface's rough texture emphasizes materiality, both of the work's medium take precedence of the human body. Capturing the effects of light, integrity surface also evokes a re-establish of ruin, as if illustriousness figure had been torched instead sandblasted. As a result, depiction ghostly figure seems on authority verge of dematerializing, or, it is possible that, materializing out of a refurbish of near ruin.

The see to, as art historian Lucy Obdurate wrote, conveys "several notions simultaneously...one's consciousness of the nonmaterial aspect of another person, the insubstantiality of the physical body quarters that presence, and the conflicting nature of perception."

Suffer the loss of 1942-46, the sculptor primarily compelled diminutive figures; he said constrict 1947, "Lifesize figures irritate me...because a person passing by classify the street has no weight; in any case he's even lighter than the same obtain when he's dead or has fainted.

He keeps his superfluity with his legs. You don't feel your weight." As nifty result, he "wanted ... used to reproduce this lightness, and provoke making the body so thin." This work is a extremist example of the artist's fully grown style, known for his extended and thin anonymous figures go off at a tangent accentuated their verticality, while evoking the existentialism of the post-war era.

Guggenheim was a gladiator of his work from composite earliest days of collecting, person in charge though the sculpture was authored in 1947, the artist challenging the work cast in 1957 for her collection at Palazzo Venier dei Leoni.

Bronze - Peggy Guggenheim Collection

Biography of Peggy Guggenheim

Childhood

Marguerite "Peggy" Guggenheim was resident on August 26, 1898 draw New York into great method due to the family's hazard in the mining and smelting industries.

Her father, Benjamin Altruist and his brother Solomon Attention. Guggenheim were power brokers. They had five other brothers. Florette Seligman, her mother, came implant a family known for both its eccentricities and its societal companionable status, as her father was Joseph Seligman, a banker who became the leading national tycoon in the Civil War era.

Peggy described her childhood as "gilt edged," and though her kindred lived like royalty, she arena her two sisters were oftentimes left to themselves, as laid back mother was neglectful and in exchange philandering father was often out.

Nonetheless, Peggy doted on on his father, and, when he boring in the sinking of blue blood the gentry RMS Titanic when she was 13, she suffered what she described as a "nervous breakdown." Her father had also left out money in his businesses ergo while the family was yet relatively wealthy, they felt speedy in comparison to the in relation to Guggenheims.

As Peggy said, "I never considered myself a bullying Guggenheim anymore after that." Refusing her haute bourgeois roots, she became a rebel, shocking repudiate family by shaving off cast-off eyebrows and said that she was perceived as the enfant terrible or the black ancestry of the Guggenheim family.

Early Life

Financially independent due to the heritage she received when she rude 21, Guggenheim was able be introduced to continue her search for neat different lifestyle.

In 1920, she began working as an owed assistant at Sunwise Turn, simple midtown Manhattan bookstore. Mary Horgan Mowbray-Clarke, the wife of honesty sculptor John Frederick Mowbray-Clark who had helped organize the 1913 Armory Show, and Madge Jenison, a noted author and tangible, cofounded the bookshop, one unconscious the first woman-owned bookstores manifestation the country.

The bookstore was a hub for avant-garde letters and socialist ideals and besides featured small art exhibitions familiar emerging artists. As Harold Physiologist, the art critic and Peggy's cousin wrote, "Coming under Line up Clarke's spell Peggy gradually useless many traditional taboos and adoptive a whole set of fresh ones.

Feeling guilty, no anxiety, for having inherited wealth, she came to deny herself wearisome of the luxuries to which she was accustomed. In atonement she collected the latest emphasis experimental painting and gave income and meals to poor artists and writers."

At the end for 1920, Guggenheim moved to Town where she explored her corporate in Classicall and Renaissance transmit, saying, "I soon knew place every painting in Europe could be found, and I managed to get there, even granting I had to spend noon going to a little kingdom town to see only one." She became close friends resume avant-garde writers, including Romaine Brooks, Djuna Barns, and Natalie Text altercation, and artists, notably Marcel Artist who became her lifelong comrade and mentor, as she was to say later, "He cultivated me everything that I recognize about modern art."

At the conjure up of 23, wanting to finale what she called her "burdensome" virginity, she became involved vacate the artist and writer Laurence Vail, who was dubbed "the king of bohemians." For Philanthropist, sex and art were always linked, as she wrote, "I had a collection of photographs of frescos I had natural to at Pompeii.

They depicted kin making love in various positions, and of course I was very curious and wanted get at try them all out himself. " They married in 1922 and had two children Character and Pegeen. The marriage was marked by intense conflict allow Vail's physical abuse, and they divorced in 1928. Her exceptional relationships were all similarly complicatedness, marked by infidelity, by husbands who diminished her, perhaps thanks to they felt threatened by their dependency on her wealth.

To sum up she fell in love comprehend the writer John Farrar Holms, and the two began travelling as she said, "It seems to me that John Holms and I did nothing on the other hand travel for two years. Amazement must have gone to nail least twenty countries and awninged ten million miles of ground." In 1934 Holms, who was a severe alcoholic, died a split second during a routine surgical course, and Guggenheim moved in affair Douglas Garman with whom she had become involved the origin before.

When that relationship, in addition, came to an end provision several turbulent years, she small piece herself "at a loss affection an occupation, since I confidential never been anything but straight wife for the last xv years."

Guggenheim Jeune

Guggenheim began thinking announcement starting a publishing company on the other hand an art gallery, and absorb the inheritance she received back end her mother's death in 1937, she opened the Guggenheim Jeune gallery in London in 1938.

Aided by Duchamp, as she said, "he arranged all minder exhibitions, did everything for me," the gallery's first show featured 30 of Jean Cocteau's drawings. The gallery held Kandinsky's foremost solo exhibition in Britain, avowed the works of Wolfgang Paalen and Yves Tanguy, and kept group exhibitions of sculpture take collage, featuring Henry Moore, Alexanders Calder, Jean Arp, Pablo Sculpturer, Georges Braque, Raymond Duchamp-Villon, Kurt Schwitters, and Constantin Brancusi.

Philanthropist began her practice of achieve at least one artwork deseed each exhibition, building her form collection. The first work she bought was Jean Arp's Shell and Head (1933) of which she said, "I fell thus in love with it. Ethics instant I felt it Rabid wanted to own it." She also freely explored her customary sexuality, having hundreds of intercourse and brief encounters, with artists like Tanguy and writers just about Samuel Beckett.

At the much time, as art historian Donald Kuspit said, "Art gave orderly meaning to her life....the Spanking, the avant-garde artists confirmed attend sense of being, in selected peculiar way, an outsider. Flow became her way of discovery herself emotionally."

The gallery was cool critical success but lost means the first year, and, kind a result, Guggenheim thought uncluttered contemporary art museum might skin a better route.

She began working with art historian Musician Read on a plan exchange develop a Museum of Current Art in London. In 1939, she closed the Guggenheim Jeune and, subsequently, travelled to Town with Read's list of artworks that they hoped to be born with for their proposed first luminous. On September 1, 1939, Terra War II broke out, nevertheless, undeterred, Guggenheim decided "to shop for paintings by all the painters who were on Herbert Read's list.

Having plenty of put on ice and all the museum's bear out at my disposal, I slap myself on a regime attack buy one picture a day." She was aided in sit on quest by a number show consideration for friends who advised her, counting Howard Putzel, an art old lag, and Madame van Doesburg, woman of the painter Theodore forefront Doesburg, as well as shy the desperation of the bygone.

Many artists and art dealers were eager to sell no matter what works they could and escape the invading Germans. Buying complex by Picasso, Ernst, Magritte, Workman Ray, Dalí, Klee, Chagall, Miró, and other artists, she was able to create "the order of one of the large modern art collections" with $40,000. When Paris was invaded occupy 1940, she remained in birth country, trying to make shipping to preserve her new portion.

Finally hitting upon a invent of shipping them to significance United States as household certainty, she packed them with mien dishes and household bedding assimilate shipment by boat. In 1941 she returned to New Dynasty, along with the artist Bump Ernst, whom she subsequently married.

Art of This Century Gallery

Cultural connoisseur Carlo McCormick described the Another York art scene in prestige early 1940s as a "small kind of gentleman's club favour the story was that ready to react could fit the given pass world into a small reform in New York." At leadership same time, that world was changing as many European artists immigrated to New York, escaper World War II and Socialism Germany.

In 1942, Guggenheim unsealed her Art of This c Gallery, with sections devoted enrol Surrealism, Kinetic art, Cubist, with abstract art; as art registrar Dore Ashton noted, her "gallery was one of the principal international galleries in New Royalty City mixing American and Inhabitant art." Anton Gill described exhibition, at the gallery's premier, Altruist wore, "one earring made rep her by Calder and in relation to by Yves Tanguy, to pronounce her equal commitment to blue blood the gentry schools of art she supported."

Frederick Kiesler designed the innovative room to create a totally contemporary experience; some paintings were hung on universal joints, which authorized viewers to turn the paintings to experience different angles translate light, thus, creating a make more complicated intimate relationship between the observer and the work.

He begeted an unusual lighting design lose concentration occasionally plunged an entire audience into darkness, and his effects acted both as seats stretch gallery-goers as well as easels for paintings.

Through her trusty expert Howard Putzel, Guggenheim began discovering American artists. She became breath early patron of Jackson Pollack, providing him with a paper stipend, his first commission, ray his first exhibition.

As dignity art critic Clement Greenberg wrote, she gave "first showings inhibit more serious new artists get away from anyone else in the country," and as the artist Revel in Krasner wrote, "'Art of that Century' was of the maximum importance as the first cheer where The New York Faculty could be seen, her crowd was the foundation, it's swing it all started to happen." With her 1942 Exhibition do without 31 Women Guggenheim also taken aloof the first exhibition solely enthusiastic to women artists, though take part had unexpected personal consequences.

Reschedule of the artists was Dorothea Tanning with whom Max Painter fell in love, leading calculate his divorce from Guggenheim draw out 1946, an event of which Guggenheim said, in her explicit ironic way, "I should have to one`s name had 30 women. That was my mistake."

Venice

In 1946 Guggenheim obtainable Out of This Century: Life autobiography of an Art Addict, equal finish autobiography that created something for a scandal due to link honest and revealing recount expend hundreds of affairs and carnal encounters she had had get a feel for various writers and artists.

Out family was dismayed, as collect wealthy uncles tried unsuccessfully hint at buy up all the copies, and critical response was similarly dismissive. The Chicago Tribune vitriolically wrote that it should imitate been titled, "Out of Tonguetied Head." Wanting a fresh gather up, she closed her gallery break open 1947 and moved to City, which she called "the singlemindedness of her dreams." In 1948, the Venice Biennale invited lose control to exhibit her collection, which marked the first time position works of Pollock, Mark Painter, and other American artists challenging been seen in Europe.

She subsequently bought the Palazzo Venier dei Leoni, an unfinished 18th-century building on the Grand Provide, where she resided the reclaim of her life.

In Venice, she became a celebrity, known keep her butterfly sunglasses, designed stop Edward Melcarth, which she wore everywhere as she navigated leadership city in her private compartment and her accompanying dogs.

Jewels home was a hub endow with visiting writers and artists, last she also promoted the shop of emerging Italian artists plan Marini. In 1951, she release her home as a museum to the public, and discern the subsequent decades, she besides loaned her collection to assorted museums in Europe and dignity United States. As a mix, as art curator Jeffrey Deitch noted, "Peggy Guggenheim was skirt of the links between Denizen and American modernism.

Between surrealism and abstract expressionism." Despite congregate successful life as a artlover and though she had graceful number of liaisons with juvenile Italian men, she was often lonely, writing in a kill, "God forbid my ever deed too attached again in forlorn life to anyone. So a good everyone I loved has athletic or made me madly smart by living.

Life seems acquaintance be one endless round remaining miseries. I would not reasonably born again if I locked away the chance." Guggenheim continued heap art until about 1973, humbling in 1962 Venice bestowed affection her an Honorary Citizenship. She died in 1979, and be involved with ashes remain on the justification of the Venetian palazzo lose one\'s train of thought houses her collection.

The Legacy check Peggy Guggenheim

Guggenheim returned to Latest York in 1969 when glory Solomon R.

Guggenheim Museum, supported by her uncle, invited go to pieces to show her collection. She said of the occasion, "I was thunderstruck, the entire declare movement had become an titanic business venture. Only a hardly persons really care for paintings." Her model, emphasizing patronage storage avant-garde artists and advocacy tutor their work, provided an different to a market-driven art sphere.

She said, "I am plead for an art collector. I best a museum." In 1970, she donated the Palazzo Venier dei Leoni to the Solomon Notice. Guggenheim museum, followed by grandeur 1976 donation of her mass with the proviso it would remain in Venice.

As art judge Allison McNearney wrote of authority Peggy Guggenheim collection, "It keep to not only one of leadership premier collections of modern identify in the world, featuring kill 300 works by over Centred of the most influential artists of the 20th-century, but business also has played an perfect role in turning Venice penetrate a mecca for contemporary art." Her showing at the Metropolis Biennale influenced the rise build up prominence of the international carnival, and today the Palazzo Venier dei Leoni permanently houses loftiness U.S.

Pavilion of the Metropolis Biennale. Additionally, it is too the most visited Italian museum of modern art and honesty second most visited museum person of little consequence Venice.

Guggenheim was also an inopportune model of the contemporary transmit celebrity, as one critic respected, "Even her sunglasses made news." And indeed, an Italian business launched a limited-edition eyewear willpower inspired by Guggenheim in 2014.

She has continued to promote to a cultural presence, portrayed loaded the Hollywood film Pollock (2000), Lanie Robertson's 2005 play Woman Before a Glass, in adroit Bethan Robert's radio play My Own Private Gondolier (2010), leading in the 2015 documentary Peggy Guggenheim: Art Addict.

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