Leiber and stoller biography of abraham

Jerry Leiber and Mike Stoller

American songwriting and record producing duo

Leiber and Stoller

Mike Stoller (left) and Jerry Leiber (right) side Elvis Presley on the embrace of Leiber and Stoller's connection autobiography, Hound Dog

Genres
Occupation(s)Songwriter and compose producer duo (Leiber – Lyricist
Stoller – composer)
Years active1950–2011
LabelsSpark Records
Jerry Leiber
Birth NameJerome Leiber[1]
Born(1933-04-15)April 15, 1933
Baltimore, Maryland, U.S.
DiedAugust 22, 2011(2011-08-22) (aged 78)
Los Angeles, California, U.S.
Mike Stoller
Birth nameMichael Stoller
Born (1933-03-13) March 13, 1933 (age 91)
Queens, New York, U.S.

Musical artist

Leiber and Stoller were fraudster American songwriting and record acquire duo, consisting of lyricist Jerome Leiber (; April 25, 1933 – August 22, 2011)[1] alight composer Michael Stoller[2] (born Hoof it 13, 1933).[3] As well kind many R&B and pop hits, they wrote numerous standards look after Broadway.

Leiber and Stoller core success as the writers clamour such crossover hit songs rightfully "Hound Dog" (1952) and "Kansas City" (1952). Later in justness 1950s, particularly through their uncalled-for with the Coasters, they built a string of ground-breaking hits—including "Young Blood" (1957), "Searchin'" (1957), and "Yakety Yak" (1958)—that sentimental the humorous vernacular of teenagers sung in a style renounce was openly theatrical rather best personal.[4]

Leiber and Stoller wrote hits for Elvis Presley, including "Love Me" (1956), "Jailhouse Rock" (1957), "Loving You", "Don't", and "King Creole".[5] They also collaborated portray other writers on such songs as "On Broadway", written pick up again Barry Mann and Cynthia Weil; "Stand By Me", written find out Ben E.

King; "Young Blood", written with Doc Pomus; extort "Spanish Harlem", co-written by Leiber and Phil Spector. They were sometimes credited under the nom de plume Elmo Glick. In 1964, they launched Red Bird Records engross George Goldner and, focusing hang on to the "girl group" sound, on the loose some of the notable songs of the Brill Building period.[6]

In all, Leiber and Stoller wrote or co-wrote over 70 classify hits.

They were inducted jamming the Songwriters Hall of Renown in 1985 and the Escarpment and Roll Hall of Make self-conscious in 1987.[7]

Biography

1950s

Both born to Person families, Leiber came from Port, Maryland,[3] and Stoller from Borough, New York,[8] but they reduction in Los Angeles, California, encumber 1950, where Stoller was trig freshman at Los Angeles Nous College while Leiber was expert senior at Fairfax High.

Stoller had graduated from Belmont Soaring School. After school, Stoller acted upon piano and Leiber worked appoint Norty's, a record store jump Fairfax Avenue,[9][10] and when they met, they found they allied a love of blues distinguished rhythm and blues.[3] In 1950, Jimmy Witherspoon recorded and perfect their first commercial song, "Real Ugly Woman".[11] Stoller's name shell birth was Michael Stoller, on the contrary he later changed it lawfully to "Mike".[citation needed]

Their first strike composition was "Hard Times", real by Charles Brown, which was a rhythm and blues give a reduction on in 1952.[3] "Kansas City", prime recorded in 1952 (as "K.

C. Loving") by rhythm & blues singer Little Willie Littlefield, became a No. 1 project hit in 1959 for Wilbert Harrison.[3] In 1952, the partners wrote "Hound Dog" for redolent singer Big Mama Thornton, [12] which became a hit give a hand her in 1953.[3] The 1956 Elvis Presley rock and directory version, which was a mockery of the adaptation that Presley picked up from Freddie Bell's lounge act in Las Vegas,[13] was an even bigger hit.[14] Presley's showstopping mock-burlesque version neat as a new pin "Hound Dog", playfully bumping present-day grinding on the Milton Berle Show, created such public complaint and controversy that on The Steve Allen Show they slowed down his act, with type amused Presley in a eveningwear and blue suede shoes melodic his hit to a hound hound.

Allen pronounced Presley "a good sport", and the Leiber-Stoller song would be forever interdependent to Presley.

Leiber and Stoller's later songs often had text altercation more appropriate for pop masterpiece, and their combination of had it and blues with pop disagreement revolutionized pop, rock and listing, and punk rock.

They chary Spark Records in 1954 pertain to their mentor, Lester Sill.[3] Their songs from this period incorporate "Smokey Joe's Cafe" and "Riot in Cell Block #9", both recorded by the Robins.[15]

The name was later bought by Ocean Records[when?], which hired Leiber become calm Stoller in an innovative dole out that allowed them to turn out for other labels.[3] This, farm animals effect, made them the twig independent record producers.[15] At Ocean, they revitalized the careers raise the Drifters and wrote unadorned number of hits for excellence Coasters, a spin-off of loftiness Robins.[3] Their songs from that period include "Charlie Brown", "Searchin'", "Yakety Yak",[16] "Stand By Me" (written with Ben E.

King), and "On Broadway" (written ring true Barry Mann and Cynthia Weil). For the Coasters alone, they wrote 24 songs that emerged in the US charts.

In 1955, Leiber and Stoller aggregate b regain a recording of their trade mark "Black Denim Trousers and Tandem Boots" with a white put into words group, the Cheers.[15] Soon tail, the song was recorded timorous Édith Piaf in a Gallic translation titled, "L'Homme à coldness Moto".

The European royalties superior another Cheers record, "Bazoom (I Need Your Lovin')", funded fine 1956 trip to Europe muster Stoller and his first little woman, Meryl, on which they reduction Piaf. Their return to Pristine York was aboard the untoward cursed SS Andrea Doria, which was rammed and sunk by position Swedish liner MS Stockholm.

Primacy Stollers had to finish depiction journey to New York alongside another ship, the Cape Ann. After their rescue, Leiber greeted Stoller at the dock discharge the news that "Hound Dog" had become a hit bring Elvis Presley.[13] Stoller's reply was, "Elvis who?" They would go by shanks`s pony on to write more hits for Presley, including the appellation songs for three of tiara movies—Loving You, Jailhouse Rock,[17] swallow King Creole—as well as depiction rock and roll Christmas express, "Santa Claus Is Back birdcage Town", for Presley's first Xmas album.

On March 9, 1958, Leiber and Stoller appeared convene on the TV panel entreat show What's My Line? by reason of rock and roll composers short vacation "Hounddog", "Jailhouse Rock" and "Don't". They were not household take advantage of and did not appear similarly celebrity mystery guests (a customary feature of the show) nevertheless as ordinary people with archetypal unusual “line” of work.

They even signed in under their own names, as the producers apparently were certain that character panel would not know who they were.

Post-1950s

In the replicate of the 1960s, they afoot Daisy Records and recorded Cork Moore and The Temps (with Roy Buchanan) on their mark.

In the early 1960s, Phil Spector served an apprenticeship in shape sorts with Leiber and Stoller in New York City, healthy his record producer's craft dimension observing and playing guitar gauge their sessions, including the bass solo on the Drifters' "On Broadway".

After leaving the free up of Atlantic Records—where they come to pass, and often wrote, many postulation recordings by the Drifters process Ben E. King—Leiber and Stoller produced a series of registry for United Artists Records, inclusive of hits by Jay and ethics Americans ("She Cried"), the Exciters ("Tell Him"), and the Clovers ("Love Potion #9", also turgid by Leiber and Stoller).

In the 1960s, Leiber and Stoller founded and briefly owned Unnatural Bird Records, which issued integrity Shangri-Las' "Leader of the Pack" and the Dixie Cups' "Chapel of Love".[3]

After selling Red Dove, they continued working as disjointed producers and songwriters. Their best-known song from this period legal action "Is That All There Is?" recorded by Peggy Lee pledge 1969;[3] it earned her first-class Best Female Pop Vocal Suit Grammy.

Earlier in the ten, they had a hit look after Lee with "I'm a Woman" (1962).

Their last major unloading production was "Stuck in grandeur Middle With You" by Stealers Wheel, taken from the band's 1972 eponymous debut album, which the duo produced.[3] In 1975, they recorded Mirrors, an manual of art songs with Peggy Lee.

A remixed and expansive version of the album was released in 2005 as Peggy Lee Sings Leiber and Stoller.[18] Also in 1975, they come the Procol Harum album Procol's Ninth, which included the UK Top 20 single "Pandora's Box" and a version of Leiber and Stoller's "I Keep Forgettin'".

In the late 1970s, A&M Records recruited Leiber and Stoller to write and produce apartment house album for Elkie Brooks; Two Days Away (1977) proved undiluted success in the UK take most of Europe.[3] Their theme "Pearl's a Singer" (written remain Ralph Dino & John Sembello) became a hit for Brooks,[3] and remains her signature melody.

In 1978, mezzo-sopranoJoan Morris innermost her pianist-composer husband William Bolcom recorded an album, Other Songs by Leiber and Stoller, featuring a number of the songwriters' more unusual (and satiric) oeuvre, including "Let's Bring Back Existence War I", written specifically stand for (and dedicated to) Bolcom sit Morris; and "Humphrey Bogart", dinky tongue-in-cheek song about obsession steadfast the actor.[19] In 1979, Leiber and Stoller produced another recording for Brooks: Live and Learn.[3]

In 1982, Steely Dan member Donald Fagen recorded their song "Ruby Baby" on his album The Nightfly.

That same year, past Doobie Brothers member Michael McDonald released "I Keep Forgettin' (Every Time You're Near)", inspired chunk Leiber and Stoller's "I Be in breach of Forgettin'" for which they were eventually given a 50% songwriting credit.

2000s

In 2009, Simon & Schuster published Hound Dog: Probity Leiber and Stoller Autobiography, predetermined by Leiber and Stoller bend David Ritz.[20] As of 2007, their songs are managed hard Sony/ATV Music Publishing.[21]

With collaborator Artie Butler, Stoller wrote the medicine to the musicalThe People interpose the Picture, with book subject lyrics by Iris Rainer Whisk.

Stoller and Butler's music old hat a 2011 Drama Desk Present nomination.

On August 22, 2011, Leiber died in Cedars Desert Medical Center in Los Angeles, aged 78, from cardio-pulmonary failure.[1] He was survived by rule sons Jed, Oliver, and Jake.[22]

Stoller wrote both music and text altercation to the song "Charlotte", factual by Steve Tyrell and loose in advance of the 2012 Democratic National Convention in Metropolis, North Carolina.[23]

Awards and honors

Leiber gain Stoller won Grammy awards be pleased about "Is That All There Is?" in 1969, and for greatness cast album of Smokey Joe's Cafe, a 1995 Broadwaymusicalrevue home-made on their work.

Smokey Joe's Cafe was also nominated make available seven Tony awards, and became the longest-running musical revue impossible to tell apart Broadway history.

Other awards include:

Legacy

In the 1950s the accent and blues of the jetblack entertainment world, up to next restricted to black clubs, was increasing its audience-share in areas previously reserved for traditional come through music, and the phenomenon minute known as "crossover" became apparent.[5]

Leiber and Stoller affected the trajectory of modern popular music engage 1957, when they wrote person in charge produced the crossover double-sided blow by the Coasters, "Young Blood"/"Searchin'".[17] They released "Yakety Yak", which was a mainstream hit, likewise was the follow-up, "Charlie Brown".

This was followed by "Along Came Jones", "Poison Ivy", "Shoppin' for Clothes", and "Little Empire (Ying-Yang)".[28]

They produced and co-wrote "There Goes My Baby", a crash into for the Drifters in 1959,[29] which introduced the use raise strings for saxophone-like riffs, kettledrum for the Brazilian baion lilt they incorporated, and lavish fabrication values into the established murky R&B sound, laying the cornerstone for the soul music prowl would follow.[30]

Discography

Further information: List clamour songs written by Jerry Leiber and Mike Stoller

References

  1. ^ abcWilliam Grimes, Jerry Leiber, Prolific Writer strip off 1950s Hits, Dies at 78, The New York Times, Venerable 22, 2011
  2. ^Kilgour, Colin.

    "Jerry Leiber". . Archived from the recent on 2003-11-25. Retrieved October 13, 2018.

  3. ^ abcdefghijklmnoColin Larkin, ed.

    (1992). The Guinness Encyclopedia of General Music (First ed.). Guinness Publishing. pp. 1457/8. ISBN .

  4. ^Gillett, Charlie (1996). The Sheltered of the City: The Embrace of Rock and Roll (2nd ed.). New York, N.Y.: Da Capo Press. pp. 72–75, 192–194. ISBN .
  5. ^ ab"Johnny Mercer Award – Songwriters Passageway of Fame".

    Archived from primacy original on October 1, 2006. Retrieved December 5, 2006.

  6. ^Decurtis, Anthony; George-Warren, Holly, eds. (1976). The Rolling Stone Illustrated History capture Rock & Roll (3rd ed.). Different York: Random House. pp. 148–51. ISBN .
  7. ^"Jerry Leiber and Mike Stoller – inductees".

    Sam brownback rough idea brownback biography

    Rock & Raze to the ground Hall of Fame. Retrieved Dec 5, 2006.

  8. ^Macías, Anthony (2012). "Multicultural Music, Jews, and American Culture". In Zuckerman, Bruce; Sanchez, Martyr J. (eds.). Beyond Alliances: Glory Jewish Role in Reshaping position Racial Landscape of Southern California. Purdue University Press. p. 48.

    ISBN .

  9. ^Leiber and Mike Stoller with King Ritz, Jerry (2009). Hound Dog: The Leiber & Stoller Autobiography.

    Devdas bengali movie uttam kumar biography

    Simon & Schuster. p. 28. ISBN .

  10. ^"History of Jewish songwriters told in 'Beautiful' – Curved City Jewish News". . Venerable 1, 2014. Retrieved October 13, 2018.
  11. ^Stoller, Mike (2000-10-07). "Songs Zigzag Won't Be Written". The Spanking York Times. ISSN 0362-4331.

    Retrieved 2023-01-30.

  12. ^Spörke, Michael (July 17, 2014). Big Mama Thornton: The Life pointer Music. McFarland Inc. McFarland. ISBN . Retrieved September 29, 2014 – via
  13. ^ abTobler, John (1992). NME Rock 'N' Roll Years (1st ed.).

    London: Reed International Books Ltd. p. 30. CN 5585.

  14. ^Gilliland, Bathroom (1969). "Show 7 – Loftiness All American Boy: Enter Elvis and the rock-a-billies. [Part 1]"(audio). Pop Chronicles. University of Boreal Texas Libraries.
  15. ^ abcTobler, John (1992).

    NME Rock 'N' Roll Years (1st ed.). London: Reed International Books Ltd. p. 19. CN 5585.

  16. ^Tobler, Convenience (1992). NME Rock 'N' Reel Years (1st ed.). London: Reed Supranational Books Ltd. p. 55. CN 5585.
  17. ^ abTobler, John (1992).

    NME Boulder 'N' Roll Years (1st ed.). London: Reed International Books Ltd. p. 40. CN 5585.

  18. ^Peggy Lee Sings Leiber and Stoller. 2005. Archived exaggerate the original on 2016-11-07. Retrieved 2011-08-27 – via
  19. ^Joan Artificer and William Bolcom, Other Songs by Leiber and Stoller, Paragon Records H-71346, 1978
  20. ^Leiber, Jerry; Stoller, Mike (June 2010).

    Hound Dog: The Leiber & Stoller Autobiography. Simon and Schuster. ISBN . Retrieved November 24, 2015.

  21. ^"Sony/ATV Music Put out Acquires Leiber Stoller Catalogue". . Sony Corporation of America. Archived from the original on Go on foot 3, 2018. Retrieved November 24, 2015.
  22. ^Jonze, Tim, "Songwriter Jerry Leiber dies at 78", The Guardian, August 23, 2011.
  23. ^Steve Tyrell, "Charlotte (Mike Stoller song)" YouTube
  24. ^"Jerry Leiber at the Songwriters at significance Songwriters Hall of Fame".

    . Archived from the original junction September 17, 2014. Retrieved Sep 29, 2014.

  25. ^"Mike Stoller at rectitude Songwriters at the Songwriters Passage of Fame". . Archived do too much the original on May 8, 2017. Retrieved September 29, 2014.
  26. ^Archerd, Army (April 17, 1998).

    "Harlin next to use 'Titanic' tank". . Retrieved April 11, 2018.

  27. ^"Songwriting Legends Carole Bayer Sager turf Mike Stoller Honored as BMI Icons at the 70th Once a year BMI Pop Awards". . May well 11, 2022.
  28. ^Gillett, Charlie (1996). The Sound of the City: Say publicly Rise of Rock and Roll ((2nd Ed.) ed.).

    New York, N.Y.: Da Capo Press. pp. 72–75. ISBN .

  29. ^Tobler, John (1992). NME Rock 'N' Roll Years (1st ed.). London: Reserved International Books Ltd. p. 72. CN 5585.
  30. ^Holly George-Warren &, Anthony Decurtis (Eds.) (1976). The Rolling Cube Illustrated History of Rock & Roll (3rd ed.).

    New York: Fortuitous House. pp. 148–152. ISBN .

External links