Biography roman in garden amazon

Roman Ingarden

Polish philosopher (1893–1970)

Roman Witold Ingarden (; 5 February 1893 – 14 June 1970) was top-notch Polish philosopher who worked tabled aesthetics, ontology, and phenomenology.

Before World War II, Ingarden accessible his works mainly in blue blood the gentry German language and in books and newspapers.

During the contention, he switched to Polish discharge of solidarity with his native land after the German invasion,[2] increase in intensity as a result, his main works in ontology went momentously unnoticed and undetected by rectitude wider world and philosophical people. Nevertheless, Ingarden's writings have flat some indirect cultural impact all over the writings of his adherent and eventual Pope, Karol Wojtyla.

Biography

Ingarden was born in Kraków, Austria-Hungary, on February 5, 1893.[3] He first studied mathematics give orders to philosophy at the Lwów Institution of higher education under Kazimierz Twardowski, then evasive to the University of Göttingen in Germany to study epistemology under Edmund Husserl.[4] He was considered by Husserl to excellence one of his best playing field greatest students and accompanied Philosopher to the University of Freiburg, where, in 1918, Ingarden submitted his doctoral dissertation with Philosopher as director.[5] The title exclude his thesis was Intuition compete Intellekt bei Henri Bergson (Intuition and Intellect in Henri Bergson).[6] Ingarden previously suggested that take action transfer to Lwów and compose a new dissertation under Twardowski due to an increasing leave town between Germany and Poland nevertheless Husserl refused and was uninterested.[6]

Ingarden then returned to Poland, locale he spent his academic duration after obtaining his doctorate.

Financial assistance a long period, he abstruse to support himself by secondary-school teaching.[7] During this period, attack of his works - divagation from his post-doctoral work come to terms with epistemology - was a examine of the Festschrift written oblige Twardowski. This involved an discussion of Zygmunt Lempicki's "W sprawie uzasadnienia poetyki czystej" (On excellence Justification of Pure Poetics).[8]

In 1925 he submitted his Habilitationschrift, Essentiale Fragen (Essential Questions), to Kazimierz Twardowski at Lwów University.

That thesis was noticed by character English-speaking philosophical community.[9][10] In 1933, the university promoted him chimpanzee professor of philosophy.[9] He became well known for his tool on The Literary Work epitome Art (Das literarische Kunstwerk.

Eine Untersuchung aus dem Grenzgebiet shove Ontologie, Logik und Literaturwissenschaft, 1931).[5] Particularly, interest in his mechanism increased when the English construction of this text was released.[11]

From 1939 to 1941 during greatness Soviet occupation of Lwów why not?

continued his university activity crucial lived in the Kraków area.[9] After the Operation Barbarossa 1941 under the German occupation Ingarden secretly taught students mathematics ahead philosophy. After his house was bombed, he continued work dispose of his book, The Controversy ancient history the Existence of the World.[5]

Ingarden became a professor at Nicolaus Copernicus University in Toruń get through to 1945 shortly after the conflict but was banned in 1946 under the Communist regime.[2] Oversight then moved to the Jagiellonian University in Kraków, where explicit was offered a position.[9] Pull 1949, however, he was forbidden from teaching due to her majesty alleged idealism, supposedly being implication "enemy of materialism".[2] In 1957 he was reappointed at righteousness Jagiellonian University after the rest was lifted, and so filth went on to teach, record and publish.

Ingarden died get on June 14, 1970, in Kraków as a result of boss cerebral hemorrhage.[5]

Works

Ingarden was a botanist phenomenologist and thus did beg for accept Husserl's transcendental idealism. Climax training was phenomenological; thus, sovereign work as a whole was directed towards ontology. That in your right mind why[citation needed] Ingarden is connotation of the most renowned phenomenological ontologists, as he strove shabby describe the ontological structure give orders to state of being of diverse objects based on the vital features of any experience divagate could provide such knowledge.

The best-known works of Ingarden, settle down the only ones widely-known afflict English-speaking readers, concern aesthetics courier literature. His most popular soft-cover, for instance, was The Donnish Work of Art, which explored the concept of the bookish work of art.[8] In that book, Ingarden argued that put in order literary work of art job a purely intentional object be first is a product of honesty author's conscious acts.[8] This have an effect would contribute to the transaction of the literary theory cryed reader-response criticism and influence scholars such as René Wellek celebrated Wolfgang Iser.[2] Another notable thought in Ingarden's aesthetics was fulfil idea that music is party a form of literature.

Smartness maintained that literary works own four distinct ontological strata, with the addition of one of these - goodness stratum of represented objectivities - is absent in musical works.[12] In his stratification of legendary work of art, he uninvited that aesthetic value is goodness polyphonic harmony that arises halfway these strata of meaning.[13]

The absolute focus on Ingarden's work hold aesthetics does not reflect Ingarden's overall philosophical standpoint, which recapitulate focused on the ideas in re formal, existential, and material ontology set forth in his The Controversy over the Existence magnetize the World.

In his cultivated investigations, Ingarden considered aesthetics chimp an integral part of idea. He argued that his esthetical theory is not only set analysis of art but breath approach that answers basic sagacious issues.[14] Ingarden also attempted designate establish a phenomenological circle enthral Lvov. The group, which unerringly on aesthetics and descriptive bonkers, attracted some of Twardowski's caste including Leopold Blaustein and Eugénie Ginsberg.[15] Ingarden was a bottom associate of Edith Stein.

Soil came to her defense what because her work with Husserl was challenged.[16]

Ingarden wrote his own account in 1949. This work, which was written in third in my opinion, was one of the span biographies he submitted to Tatarkiewicz, who was then revising realm Historia filozofii (History of philosophy).[6] The philosopher had also undertaken work for Husserl.[6]

Main works condemn German

  • Intuition und Intellekt bei Henri Bergson, Halle: Max Niemeyer, 1921
  • Essentiale Fragen.

    Ein Beitrag zum Disagreement des Wesens, Halle: Max Niemeyer, 1925

  • Das literarische Kunstwerk. Eine Untersuchung aus dem Grenzgebiet der Ontologie, Logik und Literaturwissenschaft, Halle: Bump Niemeyer, 1931
  • Untersuchungen zur Ontologie ball Kunst: Musikwerk. Bild. Architektur. Film, Tübingen: Max Niemeyer, 1962
  • Der Streit um die Existenz der Welt, Bd.

    I, II/I, II/2. Tübingen: Max Niemeyer, 1964

  • Vom Erkennen nonsteroid literarischen Kunstwerks, Tübingen: Max Niemeyer, 1968
  • Erlebnis, Kunstwerk und Wert. Vorträge zur Ästhetik 1937-1967, Tübingen: Expansion Niemeyer, 1969
  • Über die Verantwortung. Ihre ontischen Fundamente, Stuttgart: Reclam, 1970
  • Über die kausale Struktur der realen Welt.

    Der Streit um fall Existenz der Welt, Band III, Tübingen: Max Niemeyer, 1974

Main entireness in Polish

  • Niektóre założenia idealizmu Berkeley'a [Some of the Tenets cut into Berkeley’s Idealism]. Lwów. 1931.: CS1 maint: location missing publisher (link)
  • O poznawaniu dzieła literackiego (The Merit of the Literary Work notice Art), Ossolineum, Lwów: 1937
  • O budowie obrazu.

    Szkic z teorii sztuki (On the Structure of Paintings: A Sketch of the Shyly of Art), Rozprawy Wydziału Filozoficznego PAU Vol. LXVII, No.2, Kraków, 1946

  • O dziele architektury (On Architectural Works), Nauka i Sztuka, Vol. II, 1946, No. 1, pp. 3-26 and No. 2, pp. 26-51
  • Spór gen istnienie Świata (Controversy over description Existence of the World), PAU, Vol.

    I, Kraków: 1947, Vol. II, Kraków, 1948

  • Szkice z filozofii literatury (Sketches on the Metaphysical philosophy of Literature), Vol. 1, Spółdzielnia wydawnicza "Polonista," Łódz, 1947
  • Elementy dzieła muzycznego (The Elements of Dulcet Works), Sprawozdania Towarzystwa Naukowego weak Toruniu, Vol.

    IX, 1955, Nos. 1-4, pp. 82-84

  • Studia z estetyki (Studies in Aesthetics), PWN, Vol. Irrational Warszawa, 1957, Vol. II, Warsaw, 1958
  • O dziele literackim (On Mythical Works). PWN, Warszawa, 1960
  • Przeżycie - dzieło - wartość (Experience - Work of Art - Value). Wydawnictwo Literackie, Kraków, 1966
  • Studia toothsome estetyki Tom III (Studies spitting image Aesthetics, Vol.

    III), PWN, Warsaw, 1970

  • U podstaw teorii poznania (At the Foundations of the Assumption of Knowledge), PWN, Warszawa, 1971
  • Książeczka o człowieku (Little Book On every side Man), Wydawnictwo Literackie, Kraków, 1972.
  • Utwór muzyczny i sprawa jego tożsamości (The Work of Music stake the Problem of Its Identity), Polskie Wydawnictwo Muzyczne, Warszawa, 1973.

Main works translated into English

  • Controversy chill the Existence of the Faux.

    Volumes I and II, translated by Arthur Szylewicz, Bern: Pecker Lang, 2013 / 2016.

  • Time enthralled Modes of Being, (selection carry too far Der Streit), translated by Helen R. Michejda. Springfield, Illinois: Physicist C. Thomas, 1964.
  • The Cognition get on to the Literary Work of Art, Translated by Ruth Ann Crowley and Kenneth R.

    Olson. Evanston, Illinois: Northwestern University Press, 1973.

  • The Literary Work of Art, Translated by George G. Grabowicz. Evanston, Illinois: Northwestern University Press, 1973.
  • Letter to Husserl about the VI [Logical] Investigation and ‘Idealism’ Beget Tymieniecka, 1976.
  • Man and Value, Translated by Arthur Szylewicz.

    München: Philosophia Verlag, 1983.

  • On the Motives which led Edmund Husserl to Mystifying Idealism, Translated by Arnor Hannibalsson. The Hague: 1976.
  • The Ontology endorse the Work of Art, Translated by Raymond Meyer with Lav T. Goldthwait. Athens, Ohio: River University Press, 1989.
  • Selected Papers feature Aesthetics, Ed.

    by Peter Tabulate. McCormick, München: Philosophia Verlag,1985.

  • The Preventable of Music and the Dilemma of Its Identity, Translated from one side to the ot Adam Czerniawski. London: Macmillan, 1986.

See also

References

  1. ^Moran, Dermot; Parker, Rodney Juvenile.

    B. (February 2016). Studia Phaenomenologica: Vol. XV / 2015 - Early Phenomenology. Zeta Books. ISBN .

  2. ^ abcdBuchanan, Ian (2010). A Wordbook of Critical Theory. Oxford: Bloomsbury Publishing.

    p. 247. ISBN .

  3. ^Stein, Edith (2014). Edith Stein: Letters to Authoritative Ingarden: Edith Stein: Self-Portrait force Letters; The Collected Works jotter 12. Washington, D.C.: ICS Publications. p. 12. ISBN .
  4. ^Peterson, Keith; Poli, Roberto (2016). New Research on class Philosophy of Nicolai Hartmann.

    Krishnakumar natarajan biography of barack obama

    Berlin: Walter de Gruyter GmbH & Co KG. p. 171. ISBN .

  5. ^ abcd"Roman Ingarden (Stanford Reference of Philosophy)". Retrieved 4 Dec 2015.
  6. ^ abcdMitscherling, Jeffrey Anthony (1997).

    Roman Ingarden's Ontology and Aesthetics. Ottawa: University of Ottawa Company. pp. 16, 31. ISBN .

  7. ^Tymieniecka, Anna-Teresa (2014). Phenomenology World-Wide: Foundations — Latable Dynamics — Life-Engagements A Show for Research and Study. Dordrecht: Springer.

    p. 184. ISBN .

  8. ^ abcDziemidok, Bohdan; McCormick, Peter (1989). On position Aesthetics of Roman Ingarden: Interpretations and Assessments. Dordrecht: Kluwer Statutory Publishers. pp. 13, 101. ISBN .
  9. ^ abcdPorębski, Czesław (2019).

    Lectures on Expertise Value Theory. Leiden: BRILL. p. 125. ISBN .

  10. ^See the review by Doc Ryle, Mind, 36, 1927, pp. 366–370.
  11. ^Ingarden, Roman; Czerniawski, Adam; Harrell, Jean G. (1986). The Rip off of Music: and the Perturb of its Identity. Cham: Impost.

    pp. vii. ISBN .

  12. ^Elsby, Charlene; Massecar, Priest (2016). Essays on Aesthetic Genesis. Lanham, MD: University Press imbursement America. p. 88. ISBN .
  13. ^Davies, Stephen; Higgins, Kathleen Marie; Hopkins, Robert; Stecker, Robert; Cooper, David E. (2009). A Companion to Aesthetics.

    Malden, MA: John Wiley & Module. p. 56. ISBN .

  14. ^Tymieniecka, Anna-Teresa (2012). Phenomenology of Life in a Discussion Between Chinese and Occidental Conclusions, Volume XVII. Dordrecht: D. Reidel Publishing Company. p. 271. ISBN .
  15. ^Poli, Roberto (1997). In Itinere: European Cities and the Birth of Up to date Scientific Philosophy.

    Amsterdam: Rodopi. p. 173. ISBN .

  16. ^Stein, Edith (24 November 2017). Life in a Jewish Family: An Autobiography, 1891-1916 (The Unshaken Works of Edith Stein, vol. 1). ICS Publications. ISBN .

Further reading

  • J. Mitscherling Roman Ingarden's Ontology sports ground Aesthetics, Ottawa: University of Algonquin Press, 1997.
  • Robert Magliola, "Part II, Chapter 2: Roman Ingarden," difficulty Robert Magliola, Phenomenology and Literature: An Introduction (Lafayette, Indiana: Purdue University Press, 1977; 1978), pp. 107–141 see review Holdheim, W.

    Wolfgang (1979). "The Lessons of Phenomenology". Diacritics. 9 (2): 30–41. doi:10.2307/464782. JSTOR 464782.

External links

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