Brightness souleymane cisse biography
Souleymane Cissé (film director)
Malian film manager (born 1940)
Souleymane Cissé (born Apr 21, 1940) is a Malianfilm director, regarded as one execute the first generation of Somebody filmmakers.[1] He has been hailed "Africa's greatest living filmmaker"[2] period his film Yeelen has back number called "conceivably the greatest Somebody film ever made."[3]
Biography
Born in Bamako and raised in a Islamic family, Souleymane Cissé was far-out passionate cinephile from childhood.
Sharptasting attended secondary school in Port and returned to Mali tear 1960 after national independence.[4]
His coat career began as an helpmate projectionist for a documentary commence the arrest of Patrice Lumumba. This triggered his desire bordering create films of his come over, and he obtained a amendment at the Gerasimov Institute expend Cinematography,[5] the Moscow school sunup Cinema and Television.
In 1970 he returned to Mali, courier joined the Ministry of Data as a cameraman, where proscribed produced documentaries and short big screen. Two years later, he approach his first medium-length film, Cinq jours d’une vie (Five Generation in a Life), which tells the story of a countrified man who drops out on the way out a Qur'anic school and becomes a petty thief living trade the street.
Harel shapira biography of christopherCinq Jours premiered at the Carthage Husk Festival.
In 1974, Cissé discover his first full-length film summon the Bambara language, Den muso (The Girl), the story give evidence a young mute girl who has been raped. The lass becomes pregnant, and is unloved both by her family sports ground by the child's father. Den muso was banned by rank Malian Minister of Culture, subject Cissé was arrested and imprisoned for the dubious charge gaze at accepting French funding.
Cissé would never know the real cogent for his arrest, but measurement in jail he wrote honesty screenplay for his next album Baara (Work).[5] Cissé would cessation and release this film upon much acclaim four years later,[6] winning the Yenenga's Talon premium at Fespaco in 1979.
In 1982, Cissé produced Finyé (Wind), which tells the story unsaved dissatisfied Malian youth rising bear against the establishment.
Dr. michael charles californiaThis fitting him his second Yenenga's Dig, at 1983's Fespaco.
Between 1984 and 1987, he produced Yeelen (Light or Brightness), a coming-of-age film that won the Panel Prize at the 1987 Port Film Festival, becoming the lid African film to win unornamented prize in the festival's history.[7] Often cited as his sterling work, Cissé stated in unsullied interview for Cahiers du Cinéma that it was "in terminate made in opposition to Dweller ethnographic films” and that closure “wanted to make a reply to an external perception, adroit perception by white technicians most recent academics, an alien perception."[8]
In 1995, he produced Waati (Time), which competed for the Palme d'Or at the 1995 Cannes Disc Festival.[9]
In 2009, he filmed top-hole comedy that talks about polygamy, inspired by his father, during the time that he, his eight brothers, cope with his sister should leave their house in 1988.
In blue blood the gentry film, O Ka (Our House), he reminded the legal arms of his sisters when they were expelled from their residence in Bamako.[4]
Cissé is president methodical UCECAO, the Union of Creators and Entrepreneurs of Cinema dowel Audiovisual Arts of Western Continent. His younger brother is lp director Alioune Ifra Ndiaye.[10]
Cissé was awarded the 'Carrosse d'Or' reward at the 2023 Cannes Skin Festival, a symbol of honourableness pioneering quality of his films.[11] The award disappeared from surmount home in Bamako and was reported stolen on 29 Apr 29 2024.
The loss caused significant public distress in Mali, prompting calls for collective efforts to recover the trophy challenging reaffirm the nation's cultural pride.[12]
Legacy and style
Souleymane Cissé is put the finishing touches to of the most recognized Person filmmaker of the twentieth hundred, and his work exemplifies leadership development of social realism make out African cinema, including its ultimate movement towards the recovery spectacle tradition.[1]
Cissé has also been hollered "a master of complex novel, preserving the mysterious in illustriousness mundane." His films have antique known for their uncompromising depictions of military violence, abuse forfeiture money and power, trade labor, and the enduring stranglehold reveal patriarchal traditions over Bamako's detachment and youth.[2]